Wednesday, March 3, 2010

Kate Ground Free Breasts



" Found a nail in a tomb of the Knights Templar, may be the cross of Jesus "

(AGI - London March 2, 2010) -" The scenery is worthy of an adventure film : Tomb of three knights buried with their swords and a knife, the symbol of the Templars! Buried with them an ornate casket that holds a nail. It is not a nail any, for two reasons: it goes back to a period between the first and second century AD and has been handled by many people, like a relic. It could be (indeed according to the archaeologist and the Bryn Walters') of one of the nails with which Jesus was crucified The time is Walters told the Mirror and the nail instead of being rusted and stained, is lucid and has rounded corners, as if the acids in the sweat of many hands they had preserved over the centuries. For some sign that the nail had great importance. The striking discovery was made on the island of Ilheu de Pintinha, off Madeira, in a strong Templar.

according to Christian tradition, the True Cross was discovered in Jerusalem in the fourth century and kept there until 1187, when it sank into oblivion after the conquest of the Holy City by Saladin. In many places, however, is claimed authenticity of the fragments attributed to the cross.

Helena, Constantine's mother, after finding Calvary on the cross of Christ, had turned two of nails in a bit for the bridle and a helmet for her son. By Ambrose, the helmet becomes a diadem, the crown-a symbol of the Christian Roman emperors. The bishop describes the diadem of gold and gems, held together within the circle of iron obtained with the nail. From here two traditions: the Holy Nail kept in the Cathedral of Milan and the iron crown of Monza.

Monday, March 1, 2010

Simpal Carcit Dayagram

The gravure

In the past I've faced so longwinded speech technical sull'incisione intaglio, but I quickly flew over to those on printing techniques, which instead have their fundamental role in the creative process, because above the quality of the engraved plate, the end result is inferred mainly from the yield of the press.

printing process
The first step is the preparation of ink, because every engraving technique requires a proper ink consistency.
The engraved plate is then covered with ink, then pressed to ensure that they adequately penetrate the thin grooves. The mass of ink is then cleaned by gently rubbing a tarlatan (a cotton braided) until you can see the engraved design, and then continue to play a much more delicate with clean sheets of newspaper. Finally, when the plate looks clean, she shines with the kidnapped steps of the palm of the hand: it is essential that the plate is neither too full of ink, and then when you print dirty or too low, and then with signs not properly visible.
Finally we clean the edges of the slab, then it belongs on the press and the cover with a sheet of paper intaglio Rosaspina , previously moistened (otherwise the pressure of the press take him anyway and would be less receptive in accepting the ' ink).
Then you turn the press and the printing is complete: an error in one of the listed processes may, however, affect the final result of the press (and it is far that rare, especially if there have been problems in the engraving).


The seat
This technique consists of a background color that is placed on the plate at the end of the process of inking and cleaning, just before you print: you pass a big roll on the ink color specially prepared, and then transfer it to the plate with one precise pass of the roller.


Seat yellow.

The seat, in addition to providing consistent color printing, it gives more depth and clarity to the signs of the ink, and this is always a very positive effect.

Seat white (to highlight the signs).

The use of colored inks
Another possibility in the press is to make use of colored inks (usually black in the ink will also mix a small amount of blue), also combined turn with the use of seat.


red ink on gray.


purple ink on gray.

printing in negative
Then there is the possibility with some etching techniques to be printed in negative. It 's a very simple technique in truth, which is in the ink slab with a roller similar to that used to place the seat, but this time with a much darker color (even the black). The plate will not even clean (greatly reducing the time of printing), as the ink is deposited evenly over the surface without penetrating the signs will be white instead.


negative print with red ink marks on empty.

There is also the possibility of combining the negative press from the normal inking with colored inks, for signs of a lighter color than the background.


negative print in black ink on red signs.